HUMOR: NO LAUGHING MATTER
The Defamation of Clowns
By I.B. Freely
Wokeness
“Representation.” A major buzzword in the modern media landscape. “Wokeness” has become the name of the game, with little resistance. Much like how Mussolini managed to take-over all of Italy without a shot being fired. Just marched in and took the seat of power. Looking very stylish while doing so.
Exceptions
Inclusion has become job one on film sets and at publishing houses. Oppressed minorities fighting damaging stereotypes of the past. Ones which saw African-American actors not being taken seriously until Sidney Poitier, except for the ones who were. Women didn’t have it much better, acting mostly as foils, motivation or “eye-candy.” Except for the ones who weren’t. Muslim thespians, meanwhile, are still dreamily nostalgic for 1980s and early-1990s. When terrorist and villain roles were reserved for Brits, Germans, Russians, Irish Republicans and Jeremy Irons.
The Ignored
Despite the leaps and bounds made in terms of “representation”, there are still some crushed under the shiny, black jackboot of prejudice. Groups who even self-proclaimed liberals and SJWs (Social Justice Warriors) think absolutely nothing of mocking and vilifying. Only adding to the pain and violence visited upon the down-trodden and ignored.
Clowning
Once a position of great respect, the vocation of clowning requires a post-secondary education to practice. The ancient vocation serving as the inspiration for one of opera’s most iconic roles. The truly tragic Pagliacci, defined in the 1980s by none other than Luciano Pavoratti. Ask your parents.
Not The Same
Sadly, the humble clown, who only ever wanted to make people happy, has plummeted in terms of social regard in recent centuries. Not only mocked, their name becoming a term of insult, it has become socially acceptable to portray members of the clowning community as the ultimate evil.
A Trend
While rarely recognized as such, the slanderous stereotype of “killer clowns” have been a horror staple since 1980s. Pennywise, the big bad in Stephen King’s novel It, is the granddad of the killer clown trope in horror. A trend continued in the 1988 “cult classic” Killer Klowns from Outer Space. A so-called “funny” horror film, which is really little more than vile, anti-clown propaganda from fade in to credits roll. Such foundations being the framework upon which everything from Halloween costumes to the crime against music known as The Insane Clown Posse are hung.
Culturally
The original “scary clown” archetype in popular culture, presenting the practitioners of the royal art as painted faced psychopaths, is The Joker. First appearing in Detective Comics (DC) in 1940, The Joker has developed into the most feared and hated character in modern culture. Presented evil as the night is long and twice as scary. Try that with any other recognized minority and just see how fast you get curb stomped in the metaphorical.
To The Rescue
There is hope however. A group of reasonable adults with no obsessive or reductive tendencies at all, no sirree bob, have formed the Organization for Representation of Clowns or O.R.C. Let us hope these brave freedom fighters can help address a grave crime against humanity that has gone on for far too long.
