Creativity During COVID-19 Pandemic

CREATIVITY DURING COVID-19 PANDEMIC

The Mother of Inventions

By Trevor K. McNeil

Kick At the Darkness

There is a prevailing theory that times of turmoil lead to an increase in creativity. An idea supported by the warehouse’s worth of material created around the Nixon and George W. Bush administrations. Trump himself has countless examples of opposition in the public sphere. Despite having, so far, been in office half as long as the previous two. The COVID-19 pandemic is no exception. Aside from the suicidal fools denying the very existence of the virus killing hundreds of thousands around the world, there are three basic approaches to creating in the age of COVID-19. Survive, improve and thrive.

Survive

The most high-profile examples of creativity during the pandemic are those that engender a sense of community with each other and defiance against our common enemy. These include the now famous “Patio Concerts” that were started by opera singers in Italy. An idea taken into the digital realm by bands such as Blink-182 and Chvrches. Releasing socially distanced songs and sessions with the members distanced from each other and their fans. A theme filtering into albums, such as The Lockdown Sessions by The Coral. The Daily Show with Trevor Noah has changed its name to The Daily Social Distancing Show. A tactic also adopted by Full-Frontal with Samantha Bee and Conan hosted by Conan O’Brian. Though in O’Brian’s case, rather than being recorded in his home, the production has moved to an empty theater space.

Stronger Than Death

Others have taken the opportunity at self-isolation to really focus on their work. A tradition stretching back to Shakespeare who wrote King Lear under lockdown during a different outbreak and The Marquis De Sade, who worked under lockdown of a different kind. Having spent much of his life in prison or asylums. Standouts from the modern crop of self-isolated work include How I’m Feeling Now by Charli XCX and Folklore by Taylor Swift.

Lives Pulled Apart

Of the two, How I’m Feeling Now resonates most with the times. While pandemic and its effects aren’t mentioned by name, this only makes the effect all the more potent. While her work has always been urgent, songs like “Pink Diamond” have a raging, desperate, tiger-pacing-in-a-cage aspect to them. Gentler tracks like “I’ll Love You Forever” have a tinge of tragedy. Strongly implying lives pulled apart by isolation, lockdowns and death, yet still with a glimmer of hope. Love being stronger than death.

Clear Blue Sky

I’m not sure what happened to Taylor Swift while under self-isolation but I’m glad it did. Anyone familiar with my previous work won’t be surprised that I’m not the biggest fan of pop music. Particularly in terms of overproduced, corporate products. Folklore is the anti-matter of that. Released without promotion and recorded in self-isolation just months after her 30th birthday, Folklore is a huge step forward.

Wow, She’s Good

Swift having the time and focus to do her best work and sweet Thor in Asgard is it good! The raw talent only glimpsed previously, now on full show. The album is categorized as “Alternative” which, while vague, is the perfect way to describe this befuddling experience. Veering from the darkly bouncy “The Last American Dynasty” to Hozier-levels of poetic melancholy on “Exile” to the delicious word play on “The Lakes.” A bonus track which evokes the Romantic poets better than any song in recent memory.

Get Your Passes!

The pandemic also hasn’t been able to keep cultural events down. While some, like the San Diego ComicCon have been cancelled for the first time in decades, others have found new ways to exist. The Chelsea Flower Show, a major event in London often attended by The Queen, has gone online. Video tours of this year’s displays available on their event’s website. The Toronto International Film Festival, one of the oldest film festivals in North America on par with Cannes, has done something similar. Film buffs can see every film that was going to be shown in this year’s festival by buying a single digital-pass. Not only making the whole experience cheaper but a lot more accessible to those unable to get to Toronto for whatever reason.

 

BASIC NEEDS: When Self-Isolating

BASIC NEEDS:

When Self-Isolating

By Trevor K. McNeil

Priorities

I am self-isolating. I have to admit I am rethinking some old assumptions. Such as, what is important? What is not important? Since I was a kid, adults have told me to “sort out your priorities.” Something that is usually easier said than done. Not least because the reasons for my priorities tend to be individualized to me. What I want, and what my mother, or my neighbor, for that matter, are not the same. Certainly the individualization of priorities makes the notion of shared or “fundamental” values, as applies to the human race, something of an absurdity.

Maslow’s Hierarchy of Needs

The closest thing to a ranking of needs or priorities, is Maslow’s “Hierarchy of Needs”.  Abraham Maslow was an American psychologist, who wrote about human needs.  In 1943 he wrote, “Theory of Human Motivation”.   He admitted some of his work and writings were based on observation and some good old-fashioned guess work.  Maslow believed people are motivated to fulfill a certain set of basic needs. Maslow used a five tier pyramid to depict those needs.The base of the pyramid is physiological, the most basic of needs: air, food, water, excrement and sex.

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Isolated And Loving It

ISOLATED AND LOVING IT

By Trevor K. McNeil 

As Bad As It Seems?

Humans are social animals. So we are repeatedly told. As with most sweeping generalizations, however, the earlier statement isn’t really true. Do humans show a tendency toward preferring social groups? Certainly. There is also a sizable minority, known by many, usually derisive names; that do not easily fit into the standard “social” description.  It is these people who are likely to fare best in the current situation, in which self-isolation and social distancing have become the order of the day. They have been social distancing and in a state of self-isolation for years.

Just A Little Bit Different

People who purposefully isolate, or at the very least don’t mind if they are isolated, include many of the estimated 700,000 individuals on the Autism spectrum. While every case is different one of the main features of most forms of Autism is a degree of social awkwardness. This usually stems from a difficulty reading social cues, even if such cues are understood. Which can easily lead to social gaffs when interacting with others. As such, many on the spectrum avoid social contact. There are also people who self-isolate because they are introverts, and prefer to keep their own company. These folks, when given a choice, would rather stay home and read, or go on-line, than go to a party on Friday night.

Digital Connection

There is nothing wrong with willful self-isolation, particularly in terms of the on-line world.  A high percentage of modern internet technology was specifically designed to connect people. As the first half of the term “social media” indicates. It is easy to forget, with all the wi-bang hype and spectacle, but the internet was, originally, an extension of the telephone. The connection was made through a land line in something called “dial-up.” People were once skeptical of the telephone, certain that people would stop talking face-to-face. Just as with other predictions regarding new technology this forecast turned out to be dead wrong.

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